Kakike Ickote (Eternal Fire), 2023
Eruoma Awashish (Opitciwan community, Atikamekw Nehirowisiw Nation)
The vaulted cellars in Place Royale are remnants of New France, one reason the public square is sometimes called the cradle of French culture in North America. Eruoma Awashish has transfigured these historic spaces into an animist sanctuary inhabited by crows, bears, beavers, foxes, and moose. In the very underground tunnels once used to store textiles and animal pelts for the fur trade, Eruoma Awashish’s installation incarnates the desire to decolonize the sacred by combining Christian objects with Atikamekw materials, knowledge, skills, and symbols.
Eruoma Awashish is interested in the universality of expressions of the sacred. Her work employs a visual and symbolic language that links Indigenous and non-Indigenous traditions, emphasizing harmonious interrelationships in the balance of the circle of life. She has exhibited at the Contemporary Native Art Biennial (BACA), the Montreal Museum of Fine Arts, and the Musée d’art de Joliette.
Acknowledgments
Michael Patten, Biennale d’art contemporain autochtone, Conseil des arts du Canada, SODEC, Lucille Côté
Subscribe to our newsletters
so you don’t miss any of our news