#hopeandhealingcanada (2021-2022)
Tracey-Mae Chambers (Hamilton, Ontario)

An evocative fibre-arts installation recalling spider webs and flourishing plant life stretches out in a monumental canopy above the De la Place pedestrian street. Part of the artist’s #HopeAndHealingCanada project, which has travelled the length and breadth of North America, this installation in red yarn is part of a healing process in response to evidence of unmarked graves found on the sites of Canadian residential schools. Tracey-Mae Chambers knits and weaves connections that engender a healing dialogue around reconciliation and decolonization.
Heritage note: Fibre arts and dream catchers are ancestral Indigenous practices handed down over generations. Together, they rekindle the living memory of Indigenous and settler communities in Place Royale, a trading centre for First Nations and colonists in New France.
Tracey-Mae Chambers is a sculptor who explores our relationships with our fellow human beings and the natural world using organic mediums including beeswax and wool. A proud member of the Métis Nation of Ontario, whose ancestors hail from the Drummond Island community, she has been reconnecting with her heritage through site-specific installations in public spaces, historic sites, and cultural venues across North America.

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